moodswing
Penrose Systems — partnership proposal
CONFIDENTIAL
Partnership proposal

Moodswing × Penrose Systems

Appointing a distribution partner for mobile networks.
What we’ve built

The infrastructure for music in conversation

Licensed music inside voice messages and calls — with the rights and royalty layer built underneath, so every use pays back to the people who own the music.

The rights layer

Ownership verification, clearing, ingestion, usage tracking and royalty splits. Two years of legal and commercial work — the hardest part of what we do.

The catalogue

4,000 tracks we own and have already cleared, so we can launch without waiting on anyone. A global deal with Sony Music layers in on top, with Universal and Warner in progress.

The product

An app and a keyboard. The keyboard works inside the messaging apps people already use — no migration required.

The product

An app, and a keyboard that goes everywhere else

Press play to watch
THE APP
 
Moodswing keyboard
THE KEYBOARD

A system-level keyboard

Installed once, it works in every app on the phone. Nobody moves to a new messaging app — we arrive inside the one they already use.

Voice messages now, calls next

We are starting with voice messages. Calls follow, on the same rights layer — nothing has to be rebuilt to get there.

A model you can set per market

Our own catalogue runs to 4,000 tracks. One track a day at no cost, or the whole catalogue behind the operator subscription — the unlock model is configurable, market by market.

Rights holders plug in

Being built next: rights holders upload their own catalogue and are paid whenever it is used. Moodswing verifies ownership, tracks usage and splits the revenue.

Demand

What we bring to the launch

Distribution gets Moodswing onto the network. These are the things that make people pick it up.

Every send is an invitation

The track plays in the notification before the message opens. Someone without Moodswing hears it first, then installs to reply.

A new artist every week

One featured artist a week with their own PR push. Artists sell Moodswing to their own audiences — more credible than any advertising we could buy.

TRACE

A $10M marketing partnership, activated at launch across four TRACE channels.

Hear it: music inside the notification A 30-second prototype. Best with sound on. Open demoClose
Prototype — not final UI Open in a new tab →

The annual Moodswing contest

Sponsor-led, judged by a major artist — best Moodswing wins. Can run exclusive to one operator: their subscribers, their brand on it.

Brands, once there is scale

Brands buy a branded sound and their own folder — a second revenue line through the same channel.

See the concept →
Why Penrose

You’ve built the distribution that takes years

Ten markets, direct operator relationships, and a billing layer that reaches people without cards or bank accounts.
MTN South AfricaContent Partner of the Year, 2025
VodacomGameZAR launched together
AirtelExisting carrier partner
SafaricomExisting carrier partner
Years of integration and relationship work. It is the one part of this we could never build ourselves.
The fit

Each of us has what the other cannot build

Penrose

Has distribution. Not the rights layer.

  • Operator relationships across ten markets
  • Carrier billing and packaging
  • A catalogue built around games, sport and trivia
  • No clearing, royalty accounting or rights infrastructure of its own
Moodswing

Has the rights layer. Not distribution.

  • Cleared catalogue and royalty layer
  • A product category no operator currently sells
  • Built on the highest-frequency behaviour on your network
  • A shipping product: app plus in-keyboard distribution
  • No carrier integration, no billing relationship
Music rights take years to assemble. So does carrier access. Neither of us should spend those years twice.
The structure

Penrose, appointed to represent the property

Moodswing remains the technology, product and rights owner. Penrose represents the property to operators and handles commercialisation, carrier billing and packaging.
Moodswing
Penrose
MNO
Subscriber

Moodswing owns

Product, technology, catalogue, rights and royalty accounting

Penrose owns

Operator relationship, billing integration, packaging, local acquisition

Shared

Revenue from every model, on terms agreed per market

Commercial models

Eight ways an operator can take this to market

Carrier billing means the subscriber never needs a card or a bank account. And the keyboard is built so the unlock model is a setting, not a rebuild — one track a day, ten at no cost, one a week, or everything behind the paywall.
Operator-billed subscriptionMoodswing Premium on the monthly bill
BundleIncluded in selected data and voice packages
FreemiumSubscribers receive a set number of tracks at no cost
Exclusive catalogueAn MTN or Vodacom-branded music folder
LoyaltyIncluded for customers at certain tiers
SponsoredA brand pays; subscribers pay nothing
AcquisitionJoin or upgrade and receive Moodswing Premium
Operator-brandedMoodswing, powered by the network
And inside any of these: individual tracks bought outright as one-off charges on the same bill.
Scope

Your whole network, sequenced by readiness

Not a single-market trial. Moodswing enters your portfolio as a property and goes to every operator you represent, in the order each market is ready to launch — with the catalogue localised for each territory.
Wave one

MTN South Africa, Vodacom

Home market for both of us. Shortest path to a live integration and the room where you have the most credit.

Wave two

Airtel, Safaricom

Proven mechanics carried into your wider footprint, with the first market’s numbers behind us.

Wave three

Remaining markets

Rolled out on the same commercial template, market by market, as billing and support are ready.

Local repertoire and local moods in every territory. Sequencing is about launch quality, not appetite.
Commercial terms

How we would structure it

Three principles. The numbers follow once we agree the shape.
Exclusivity carries a guarantee

Penrose pays Moodswing a minimum guarantee on signature, recoupable against our share of revenue. Exclusivity and a guarantee travel together.

Territories are named

Exclusivity is scoped to a defined list and a defined term. Outside that list we remain free to appoint others.

Launches are committed

An agreed number of operators live within an agreed period. If they are not, those territories revert to us.

Why this works for you

A category you don’t have, on networks you already own

A new vertical

Your catalogue is games, sport and trivia. Music and communication is a different shelf in the same store.

Better retention

Games churn. People message every day — the behaviour is already there, we’re adding to it.

Something to bring MTN

A Content Partner of the Year has to keep arriving with new categories, not more of the same.

A rights layer, at no build cost

The part you can’t build, supplied by a partner with no competing interest in your gaming business.

What we’re proposing

What we are putting on the table

01The appointment

Penrose represents Moodswing to the operators in your network, on a defined territory list, with launches sequenced by readiness.

02A commercial case

Your projections market by market, the guarantee you would attach, and the marketing you would put behind it. That document is what we both build from.

03A framework agreement

A Commercialisation and Distribution Framework Agreement — executed, not an MoU. Revenue split, territories, guarantee, launch commitments and reversion.

Over to you

You know these markets far better than we do, so we would rather build the shape with you than hand you one. And we move quickly — we would like this signed inside a few weeks. What is realistic on your side?

moodswing
Jimmy Muteba · Co-Founder & CEO
v1
Confidential